Matt is an Emmy-winning supervising sound editor based in London. With over 20 years of industry experience he has worked on a diverse array of projects ranging from studio features (Roald Dahl's Matilda the Musical, Maleficent: Mistress of Evil) to award-winning television and independent films (The Wheel of Time, The Danish Girl and Three Billboards Outside Ebbing,Missouri). Most recently, Matt supervised and mixed the new Paramount+ series, Knuckles, along with supervising the hit Netflix series, Baby Reindeer.
His work on the Netflix’s series Black Mirror earned him an Emmy for Outstanding Sound Editing on a Limited Series, as well as a Golden Reel Award from Motion PictureSound Editors (MPSE).
His accolades further include three BAFTA nominations for Best Sound on Wallander, Great Expectations, and The Promise; a BAFTA TV Craft nomination for Peaky Blinders; a Craft & Design Award nomination from the Royal Television Society for StrikeBack; and three additional MPSE Golden Reel nominations.
Matt is an Emmy-winning supervising sound editor based in London. With over 20 years of industry experience he has worked on a diverse array of projects ranging from studio features (Roald Dahl's Matilda the Musical, Maleficent: Mistress of Evil) to award-winning television and independent films (The Wheel of Time, The Danish Girl and Three Billboards Outside Ebbing,Missouri). Most recently, Matt supervised and mixed the new Paramount+ series, Knuckles, along with supervising the hit Netflix series, Baby Reindeer.
His work on the Netflix’s series Black Mirror earned him an Emmy for Outstanding Sound Editing on a Limited Series, as well as a Golden Reel Award from Motion PictureSound Editors (MPSE).
His accolades further include three BAFTA nominations for Best Sound on Wallander, Great Expectations, and The Promise; a BAFTA TV Craft nomination for Peaky Blinders; a Craft & Design Award nomination from the Royal Television Society for StrikeBack; and three additional MPSE Golden Reel nominations.
Primetime Emmy Award 2018;
Outstanding Sound Editing;
Black Mirror
MPSE 2018;
Outstanding Achievement in Sound Editing -
Dialogue and ADR for Episodic Long Form Broadcast;
Black Mirror
HPA Award 2020;
Outstanding Sound - Episodic;
Alienist: Angel of Darkness - Belly of the Beast
BAFTA Award 2014;
Best Sound;
Peaky Blinders
BAFTA Award 2013;
Best Sound;
Wallander
BAFTA Award 2012;
Best Sound;
Great Expectations
BAFTA Award 2011;
Best Sound;
The Promise
MPSE 2018 Outstanding Achievement in Sound Editing;
Dialogue and ADR for Feature Film;
Three Billboards Outside Ebbing, Missouri
MPSE 2011 Best Sound Editing;
Dialogue and ADR for Feature Film;
The Kings Speech
Primetime Emmy Award 2018;
Outstanding Sound Editing;
Black Mirror
MPSE 2018;
Outstanding Achievement in Sound Editing -
Dialogue and ADR for Episodic Long Form Broadcast;
Black Mirror
HPA Award 2020;
Outstanding Sound - Episodic;
Alienist: Angel of Darkness - Belly of the Beast
BAFTA Award 2014;
Best Sound;
Peaky Blinders
BAFTA Award 2013;
Best Sound;
Wallander
BAFTA Award 2012;
Best Sound;
Great Expectations
BAFTA Award 2011;
Best Sound;
The Promise
MPSE 2018 Outstanding Achievement in Sound Editing;
Dialogue and ADR for Feature Film;
Three Billboards Outside Ebbing, Missouri
MPSE 2011 Best Sound Editing;
Dialogue and ADR for Feature Film;
The Kings Speech
Primetime Emmy Award 2018;
Outstanding Sound Editing;
Black Mirror
MPSE 2018;
Outstanding Achievement in Sound Editing -
Dialogue and ADR for Episodic Long Form Broadcast;
Black Mirror
HPA Award 2020;
Outstanding Sound - Episodic;
Alienist: Angel of Darkness - Belly of the Beast
BAFTA Award 2014;
Best Sound;
Peaky Blinders
BAFTA Award 2013;
Best Sound;
Wallander
BAFTA Award 2012;
Best Sound;
Great Expectations
BAFTA Award 2011;
Best Sound;
The Promise
MPSE 2018 Outstanding Achievement in Sound Editing;
Dialogue and ADR for Feature Film;
Three Billboards Outside Ebbing, Missouri
MPSE 2011 Best Sound Editing;
Dialogue and ADR for Feature Film;
The Kings Speech